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Sharon Daniel
Sharon Daniel is a professor in the Film and Digital Media department and serves as chair for the ( Digital Arts and New Media MFA program ) at the University of California, Santa Cruz.〔http://film.ucsc.edu/faculty/sharon_daniel〕 Along with teaching classes about digital media, Daniel does field research for new media projects.〔http://www.citris-uc.org/publications/articles/what_art_can_do_transformative_work_sharon_daniel〕 Her essays have been published in analytical and research journals such as Sarai and Leonardo. Selected projects of Daniel's have been presented at festivals including the Lincoln Center Festival, the Dutch Electronic Arts Festival, Ars Electronica, and the Corcoran Biennial. She has also received grants and support from various institutes and foundations. She is interested in public and community collaborations that give voices to those who are unable or reluctant to tell their stories.〔(Sharon Daniel UCSC )〕
Daniel is an activist involved with the organization (Justice Now ). Daniel's involvement with Justice Now allowed her to circumvent the media ban enacted on all of the California Department of Corrections' facilities in 1993. Daniel was able to gain media access due to her role as legal advocate for Justice Now, which allowed her the opportunity to speak with several inmates and document their stories.〔(Vector's Journal: Public Secrets )〕〔http://www.jnow.org/publicsecrets.html〕 Daniel's experiences with inmates in California's Department of Corrections led to the creation of Public Secrets.
Daniel's theory on databases has been published in Database Aesthetics.〔http://www.upress.umn.edu/Books/V/vesna_database.html〕 Her article, "The Database: An Aesthetics of Dignity", illustrates how they can be used as an aesthetic that interacts with cultural or social aesthetics. Furthermore, Daniel's work is a functioning example of this "aesthetic of dignity" because her work coalesces aesthetics of the database and social world.
==Projects==
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